A Piece of the Night Sky

Gemstones are wondrous and varied.  Isn’t it funny that the earth produces these amazing things then we take them, assign them value and, quite frequently, carry them around with us.

Far and away, my favorite stone is lapis lazuli.  I especially love really dark lapis with a lot of pyrite because it resembles the night sky.  Gorgeous lapis has appeared in jewelry across the aesthetic spectrum for much of human history.  Today, jewelry designers, of all stripes, are still inspired by the dark stone, constantly finding new and inventive uses for it.  I don’t know much about the lapidary arts, but it is my understanding that it is a soft stone and, perhaps, that’s why it can be carved with such detail.

Carved Lapis - Chinese Qing Dynasty

Here, are some fine and varied example of what this versatile stone can do in jewelry.

Antique Lapis Brooch - for sale by Adin

This brooch is available on Adin.  Just look at that color.  It sings against the platinum and diamonds.  It just looks like the ancient treasure it is.

Lapis Lazuli Crinkle Earrings - by Mark Kaplan

These lapis stones are paired with stellar metal work by Mark Kaplan and are available through Etsy.  This is actually my favorite cut of lapis — round and flush in its setting.  I have a small pendant made with a piece of lapis just like these and it is among my favorite jewelry possessions.  I found it a bin of small bits and pieces in Chinatown here in San Francisco and paid $5 — but that’s a story for another time.

Unexpected Wild Flower - by Jean-D

Finally, this incredible piece by Jean-D can be found in Etsy store MonBedo.  It has a piece of fine lapis, which, as the description of this item explains, is lapis without any pyrite.  The ring shows how lapis can also capture an organic shape.  The setting is so striking and bold and does the beautiful piece of stone justice.  As an aside, I also happen to really like that Jean-D posted some detailed comments about the design of this piece.  It’s nice to hear from a designer about how a piece came to be.

Negative Space to a New Level

The use of negative space should be a consideration in jewelry design.  When earrings hang from ears — suspended in space — how are they interacting with that space around them?  How does the shape of a pendant appear against the backdrop of skin.  Filigree, of course, a style that has appeared throughout the ages, is all about making shapes out of negative space.

Lorena Martinez-Neustadt brings negative space to a new level with her line of jewelry (available on Etsy in the shop Gemagenta).

The first two pieces below, designed to be two-dimensional renderings of three-dimensional things, like faceted stones, are so clever.  Lorena made the wise choice to leave some of the piece undisturbed.  Perhaps, to suggest a glare off of the stone or even just to let our imagination do some of the work.  Either way, it strikes me as well-considered design element.  In a way, by leaving some of it “blank,” she is using negative space in two ways.  (Does that equal a positive?)  Those little omissions are also what set Lorena’s “gem” pieces apart from some other similar concepts that have shown up in the mass produced market in the last few years.

Faceted Brilliant Pendant - by Lorena Martinez-Neustadt

Faceted Emerald Pendant - by Lorena Martinez-Neustadt

Beyond these gem pieces, Lorena’s collection has a consistent use of negative space that feels fresh.  I especially love these:

Lingerie Elongated Pendant - by Lorena Martinez-Neustadt

Lingerie Ring - by Lorena Martinez-Neustadt

The designs are lacy, yet clean.  Inspired by lace and lingerie without overdoing the concept.  The pieces are flattering against the skin and appear to be very wearable.

I’m No Expert

I’m no expert but, as they say, I know what I like.

Look, I don’t really have any bona fides when it comes to art or fashion or jewelry.  I dropped out of my art major one semester in to pursue other academic interests.  I’ve never been very good in art classes and I don’t play well with other artists generally.  Although I am a fairly compliant person and I have no issues with authority, if you put me in an art class, I turn into an eye-rolling, huffy, obstructionist pain-in-the-ass.  I don’t know why.  It’s not that I think I’m that good — I just don’t want to do it their way.  Ever.  So, long ago, I found that making my strange art by myself was the best way to go — or at least the best way to not get asked to leave a classroom.  That leaves me, however, with absolutely no authority to comment on anything aesthetic, really.

But, here, I do make such comments anyway because I think I have something to say when it comes to jewelry.  Why?  Sheer exposure.  I have spent so much time looking at jewelry that I think it can safely be called research.  When I see something that is new and different to me, I know that it is new and different, period. In the world of jewelry, I think I know special when I see it.

I have said all that to say this:  There are some people whose work I respect so much that I don’t really feel worthy to comment or even compliment.  But, if I am to continue with this little blog of mine, I must, in order to be true to the mission, which is to highlight excellent jewelry design.

So, here it goes. I give you the absolutely genius of April Higashi:

April Higashi Yellow Gold Rings

April Higashi Stone Rings

April Higashi Patterned Enamel

There’s not much that I can say.  It’s breathtaking.  All of it.  There is such a clear vision that she brings to her line.  I feel that her designs say that she knows what jewelry should be — it can’t just be a pretty item that sits by itself, it has to be a pretty item on you.  It is design with such subtlety and restraint.  I want to live in a world designed by April Higashi.

On a personal note, my husband and I visited April’s Shibumi Gallery in Berkeley, CA for an opening one Sunday afternoon several months ago.  Either she or someone on her staff brings an infallible eye to curating the gallery.  Everything that is displayed is both complementary and reflects a consistent sense of style.  We were greeted so warmly by the gallery manager, Fiona, and April casually chatted with us (as if not aware of her greatness!).  April’s husband, the incredibly talented sculptor Eric Powell, was there as well.  Given my obvious interest and perhaps because I had commented that I had just begun jewelry-making classes, we were offered a peek at April’s studio.  It was wonderful.

The Effect of Bracelets

There is something more personal about jewelry that is worn on the hands.  Perhaps that is because the wearer can see it do what jewelry is designed to do — to be in and interact with the world.  You can see how your bracelets move and how your rings break the light.  I am sure that seeing your jewelry behave as mobile art changes how you feel about those pieces.

While rings are by far my favorite type of jewelry, bracelets have a special place in my heart as the first type of jewelry I tried to make as a child — friendship bracelets and bracelets made out of coiled wire, to be specific.

Bracelets are very expressive and different bracelet styles contribute different things.  Cuff bracelets add a visual break and can foreshorten the arm — much liked cropped pants do for the leg.  Bangles can be musical and dramatic as they orbit around a wrist adding movement.  Then, there are chains with focal points and charms. They swing and sway and add length to arms and hands.  In addition, each type can change a great deal depending on materials.  A leather cuff, for example, is very different in overall effect from a beaded cuff.

Blue Keum-Boo Cuff -- by Judy Parady

Twisted Sterling Silver Bangle Bracelet with a Gypsy Set Blue Sapphire - by Two Trick Pony

Woodland Love Charm Bracelet - by Mark Poulin

These fine examples of fun bracelets can be found here: Blue Keum-Boo Cuff — by Judy Parady; Twisted Sterling Silver Bangle Bracelet with a Gypsy Set Blue Sapphire – by Two Trick Pony; and Woodland Love Charm Bracelet – by Mark Poulin.

Buy For Love

Some years ago, I began to avoid cosmetics with paraben ingredients.  I had read about how paraben, which is used as preservative, was an endocrine disruptor and how traces of it can be found in sea life from run-off.  It just sounded like bad news to me.  (I will bring this back to jewelry, I promise.)  So, after years of struggling to avoid it, imagine my relief when the paraben issue caught fire and I could purchase familiar brands in the drugstore with labels that now boasted they were “paraben-free.”  But, I found that, if you looked closer, you would often find that other harmful chemicals were put in the place of paraben – those chemicals had just not earned their buzz-word status yet and, therefore, they could escape a consumer’s attention.

I think that the tale of paraben is a cautionary one.  When we only have the time or the inclination to educate ourselves about a portion of a problem, we create a marketing trend rather than a solution.

As conscientious consumers, jewelry, poses a number of problems.  There is the question of the toll that it can take on the earth — the mining of metal and gems; the chemicals used in production.  There is the highly publicized problem of gems as the currency of war.  One might also wonder about the labor practices of the mining industries or in the mass production of jewelry.  What are we supporting with what we wear on our bodies; become emotionally attached to; give as gifts; and pass on to our children?  No one really likes to think about it but, often, we make a statement of tacit approval with the money in our wallets.

As I think I’ve made clear so far, I find jewelry to be an endlessly fascinating art form.  It is sculpture and rhythm and color and balance.  Jewelry is a storyteller.  Each well-loved piece takes on a life of it’s own and, as it’s temporary custodian (because it will likely outlive you), you get to share it’s story and add to it.  Not having it in one’s life is not an option. So, what to do about buying it with one’s conscience intact?

There are many “green” jewelry and ethical jewelry options out there these days.  Right here in San Francisco, we have Brilliant Earth, a jewelry store founded by Beth Gerstein and Eric Grossberg to address some of the very problems with jewelry I have cited while still creating valuable pieces of fine jewelry.  Brilliant Earth has a trusted reputation and has a done a great deal to educate consumers about how to make conscious choices in jewelry purchasing.

On the other hand, I think the idea of green and ethical  jewelry is slowly catching on and, perhaps, there in lies the danger — “the paraben effect.”  People begin to look for a buzz word that has holds no real standard and then inadvertently perpetuate the problem or create a new one.

While I have no solution to well-meaning consumers being taken in by less well-meaning marketing tactics, I can offer a few suggestions: Know the person attached to the two-hands that make your jewelry.  Buy vintage and antique.  When appropriate, recycle your metal and gems and have custom pieces made.  In a way, all those suggestions are the same.  While you might not be able to know everything about the potential pitfalls of jewelry buying, build relationships with jewelers and dealers you trust and avoid uneducated impulse buys.  Buy for love and sleep soundly at night.

Birds: A Rant

Any of us who spend any time in the handmade/DIY world know exactly why this is funny.

This post is a little loving ribbing aimed at some of my favorite people in the world — jewelry designers.  It’s not easy to give people what they want, especially when they want the same things over and over again.  A recent search on Etsy using the search term “bird” brought up over 30,000 necklaces.  I have not independently verified that each of those items actually depict a bird.  But, go ahead, search around — they are everywhere.  It’s done.  It’s overdone.  Has anyone looked in on Tippi Hedren lately?  Is she OK?

Look, I love birds.  I even have a hummingbird tattooed on my wrist (which my husband says looks like a chicken).  The bird-themed jewelry?  Beautiful pieces all.

But. That. Is. Not. The. Point.

Sometimes, it is just time to challenge us — your customers — with new ideas, with what will become the next trend.  (No, I don’t mean those adorable matryoshka nesting dolls.)

Here, look at this stuff with animals other than birds:

You can find Mary Walke, Pete Conder, and Christine Domanic on Etsy.

 

The International Gem and Jewelry Show – San Mateo, CA

Today, R.JXP and I went to the International Gem and Jewelry Show which comes to the San Mateo Event Center a couple of times a year.  I only have experience at two types of gems shows — International Gem and Jewelry and one put on by the Gem and Mineral Society of San Francisco.

The experience at the shows put on by International Gem and Jewelry varies greatly from the more dignified Gem and Mineral Society. In my experience, International is a mix of shopping mall jewelry; loose gemstones (dyed and natural); total shysters who sell complete crap; miles and miles of beads; and a smattering of tools and supplies interesting to someone like me.

The crowd at International is largely composed of people trolling for good buys on expensive pieces.  For the most part, the jewelry that I see people purchasing isn’t even on my radar.  Nevertheless, having just started making jewelry and having had the experience of struggling, for example, to get a stone to stay in its setting, I’m in awe of work that goes into all jewelry — even jewelry which I don’t feel expresses much.

I attend shows such as these to find inexpensive stones to put into my amateur jewelry; supplies; and tools.  Today, I am happy to announce that I finally brought a flexshaft drill to add to my home studio — I am less happy to announce that it is not a Foredom, which I have been led to believe is the best.  Anyway, the drill was a good price and it will fit the bill for now.

Raw Love

Aside

Lapidary artists can do amazing things with gems — making them reflect light and look as if they glow from within.  But, there is something to be said for the use of raw, natural stones.

Here are some fine examples of artists finding beauty in the stone more or less as nature intended:

First, we have a nicely set very raw aquamarine ring by Beijo Flor, who, in addition to this piece, works with a variety of beautiful and unique stones.

Beijo Flor

Then, we have a copper ring with a herkimer diamond from Midwest Alchemy, which includes some incredible metal work that really complements the stone.

Midwest Alchemy

Finally, there’s the lovely raw golden labradorite prong set ring by Wire Adorned.

Wire Adorned

As someone who has always made things — paintings, assemblages, and now jewelry — I think restraint and dealing with ambiguity is more difficult than attempted perfection.  Using raw stones, which I’ve experimented with lately, is like that.  They’ve got their own ideas.  They tell you exactly how they will allow themselves to be used.  It would be nice if that gorgeous, shiny thing were even and not rough on that one side — but it isn’t — and that’s the beauty of it.  Incorporating raw stones into one’s jewelry is a different kind of craftsmanship.  It’s the craftsmanship of subtlety and allowing yourself to simply frame something that is just fine the way it is.

jewelry, accessory, or both

To the extent that a blog about jewelry can stir up controversy, I think that this post might be among the more controversial.

There is jewelry and then there are accessories and I, for one, am not sure that these things are always one in the same.  (There’s a ven diagram in there somewhere.)  If I may, let me wax poetic about what constitutes jewelry for me.  It is timeless.  A good ring design is a good ring design in 1980 or 1880.  For me, jewelry is an item that is worn on the body and, at its best, it accentuates the body and becomes and extension of it — a bangle bracelet that is never taken off or earrings that send a beam of light that reflects perfectly off of a cheekbone.

Of course, though, there is jewelry that is different than what I have described.  This is jewelry that I think of as worn more on clothes than on a person.  That is not to take anything away from this world of exquisite accessories.  It is an important form of self-expression.  I am merely commenting on the difference in categories.  (Then, there is “art jewelry” which is another animal all together.)  Accessories that are in the forms of necklaces, rings, etc. are more subject to trends.   The size of earrings changes; the length of necklaces changes; and, well, even the acceptable number of pieces on one human body changes.

Right now, I find that the jewelry trends that are being used to accent the current clothing style to be very big and very 80’s.  I find that interesting as, the last time around for these styles, it was a time of excess and, dare I say, callousness and the style trends reflected that.  Now, in the age of “we are the 99%,”  I find it funny, even ironic, that we are echoing this style.  Maybe there’s something in that.

Consider the following gorgeous necklaces both available for purchase on the Nordstrom website.  Both the Nordstrom “Athena” and the Sarah Cavender Fan Bib are stunning examples of affordable pieces that would nicely accent a modern wardrobe from this season.  They are both also undeniable 80’s excess and, I think, very fine examples of accessories that are designed to accent clothes and less so a person’s body.

Nordstrom 'Athena' Multi Shape Statement Necklace

Sarah Cavender Fan Bib Necklace