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About breadandcake

The Bread + Cake Jewelry Blog was launched in 2012 in San Francisco. At that time, I was learning metalwork at Scintillant Studio, and I found the city to be a wellspring of creativity, encountering incredible makers of beautiful things at every turn. Inspired by this vibrant environment, I started Bread + Cake to share my passion for jewelry design. I focused on showcasing artists I discovered online, linking directly to their work. To my delight, both jewelry makers and enthusiasts engaged with the blog, opening opportunities for me to communicate with artists from distant places and attend jewelry events around the Bay Area. After a couple of years, it became clear that fate had other plans for me. The blog went silent in 2014, and the following year, I moved back to Cleveland, Ohio, where a whirlwind of personal challenges unfolded. Now, ten years since my last post, I am excited to revive Bread + Cake. I hope you enjoy the work of the incredible artists from around the world that I will be featuring here. I also hope you find inspiration in the creative endeavors of Cleveland’s makers through my profiles of local events. Most of all, I hope you discover something you love.

A Brooch of a Different Color

As I have I mentioned, I think that good jewelry design creates a beautiful item that is worn on the body and that it is not necessarily about it’s interaction with clothing.  Because of that, brooches and pins tend to fall off of my radar — those are things that your clothes wear.  Sometimes, though, a piece is just so well done that it must be mentioned.

This is the Quatre Cinq Silver Brooch by Dorothy Cheng, which is currently posted on Etsy.

Quatre Cinq Silver Brooch - by Dorothy Cheng

Worn by a sweater or worn by a person — Who cares?  It is drop-dead gorgeous.  It strikes the perfect balance of clean design, inspired architectural touches, well-considered scale, and attention to detail that makes a perfect piece.  I can see it with a dress, with a jacket, anything.

Thank you, Dorothy Cheng, for turning my head with a brooch.

The Effect of Bracelets

There is something more personal about jewelry that is worn on the hands.  Perhaps that is because the wearer can see it do what jewelry is designed to do — to be in and interact with the world.  You can see how your bracelets move and how your rings break the light.  I am sure that seeing your jewelry behave as mobile art changes how you feel about those pieces.

While rings are by far my favorite type of jewelry, bracelets have a special place in my heart as the first type of jewelry I tried to make as a child — friendship bracelets and bracelets made out of coiled wire, to be specific.

Bracelets are very expressive and different bracelet styles contribute different things.  Cuff bracelets add a visual break and can foreshorten the arm — much liked cropped pants do for the leg.  Bangles can be musical and dramatic as they orbit around a wrist adding movement.  Then, there are chains with focal points and charms. They swing and sway and add length to arms and hands.  In addition, each type can change a great deal depending on materials.  A leather cuff, for example, is very different in overall effect from a beaded cuff.

Blue Keum-Boo Cuff -- by Judy Parady

Twisted Sterling Silver Bangle Bracelet with a Gypsy Set Blue Sapphire - by Two Trick Pony

Woodland Love Charm Bracelet - by Mark Poulin

These fine examples of fun bracelets can be found here: Blue Keum-Boo Cuff — by Judy Parady; Twisted Sterling Silver Bangle Bracelet with a Gypsy Set Blue Sapphire – by Two Trick Pony; and Woodland Love Charm Bracelet – by Mark Poulin.

Buy For Love

Some years ago, I began to avoid cosmetics with paraben ingredients.  I had read about how paraben, which is used as preservative, was an endocrine disruptor and how traces of it can be found in sea life from run-off.  It just sounded like bad news to me.  (I will bring this back to jewelry, I promise.)  So, after years of struggling to avoid it, imagine my relief when the paraben issue caught fire and I could purchase familiar brands in the drugstore with labels that now boasted they were “paraben-free.”  But, I found that, if you looked closer, you would often find that other harmful chemicals were put in the place of paraben – those chemicals had just not earned their buzz-word status yet and, therefore, they could escape a consumer’s attention.

I think that the tale of paraben is a cautionary one.  When we only have the time or the inclination to educate ourselves about a portion of a problem, we create a marketing trend rather than a solution.

As conscientious consumers, jewelry, poses a number of problems.  There is the question of the toll that it can take on the earth — the mining of metal and gems; the chemicals used in production.  There is the highly publicized problem of gems as the currency of war.  One might also wonder about the labor practices of the mining industries or in the mass production of jewelry.  What are we supporting with what we wear on our bodies; become emotionally attached to; give as gifts; and pass on to our children?  No one really likes to think about it but, often, we make a statement of tacit approval with the money in our wallets.

As I think I’ve made clear so far, I find jewelry to be an endlessly fascinating art form.  It is sculpture and rhythm and color and balance.  Jewelry is a storyteller.  Each well-loved piece takes on a life of it’s own and, as it’s temporary custodian (because it will likely outlive you), you get to share it’s story and add to it.  Not having it in one’s life is not an option. So, what to do about buying it with one’s conscience intact?

There are many “green” jewelry and ethical jewelry options out there these days.  Right here in San Francisco, we have Brilliant Earth, a jewelry store founded by Beth Gerstein and Eric Grossberg to address some of the very problems with jewelry I have cited while still creating valuable pieces of fine jewelry.  Brilliant Earth has a trusted reputation and has a done a great deal to educate consumers about how to make conscious choices in jewelry purchasing.

On the other hand, I think the idea of green and ethical  jewelry is slowly catching on and, perhaps, there in lies the danger — “the paraben effect.”  People begin to look for a buzz word that has holds no real standard and then inadvertently perpetuate the problem or create a new one.

While I have no solution to well-meaning consumers being taken in by less well-meaning marketing tactics, I can offer a few suggestions: Know the person attached to the two-hands that make your jewelry.  Buy vintage and antique.  When appropriate, recycle your metal and gems and have custom pieces made.  In a way, all those suggestions are the same.  While you might not be able to know everything about the potential pitfalls of jewelry buying, build relationships with jewelers and dealers you trust and avoid uneducated impulse buys.  Buy for love and sleep soundly at night.

Alternative Materials by Cla Contemporary

When making jewelry, there are no artistic talents that goes to waste.  You can bring skills from all different disciplines to the jeweler’s bench and find them useful. Chelsey, who is the creative force behind the Etsy store Cla Contemporary, proves that point by adding her own handmade ceramics to her pieces.

Ceramics in jewelry can get mixed results.  It can be earthy but it can also be clunky and messy.  Cla Contemporary is something else in entirely.  It’s true to it’s name.  It’s modern and clean.

I think the ring is sculptural perfection.  It’s a nice, clean design but it is not short on personality.

A Favorite Purchase from Adin

If one is a jewelry enthusiast like I am, you may have had the experience of cruising the internet for something that captures your attention — something that you have never seen before.  One day, back in 2001, I was on such a search and found this piece:

Antique Ring from Adin

To this day, I have never seen anything like it.  It wasn’t expensive as the stones are glass and there isn’t much weight to it.  But, it is an antique from the 1800s with white and yellow gold and the stones are nicely flush-set.  I wear it more days than not and, for as long as I have had it, I still find myself puzzling over it’s design.  It’s sort of in the shape of a signet ring but not really.  If the stones were arranged vertically, that would be more expected — but, no, not here.   It’s small, delicate and light but the bold, unusual design makes it seem bigger somehow.

Beyond the enjoyment that this ring has given me over the years, the experience of buying it, also gave me one of my favorite places on the internet to drool over gorgeous antique gems — Adin.  The real brick-and-mortar Adin is in Belgium and I dream of going there someday.  But, in the meantime, I can entertain myself for hours with the stunning website that has hundreds of antique pieces that, for my eye, appear to be fairly priced.  There is also an incredible range in price in their merchandise.  This piece, at least, also came with a certificate of authenticity.

While I am talking up Adin, allow me to share a nice story that happened to occur in the worst of circumstances and that has given this ring meaning beyond a frivolous internet purchase.  I purchased my ring online a few days before that fateful day in September 2001.  I had been communicating back and forth with a customer service representative about the re-sizing of the ring due to the different sizing scales between America and Europe.  Then, the world changed.  I was no where near harm’s way but the Adin customer service rep was thoughtful enough to send me a brief email to say that she hoped that my loved ones and I were all safe.  I was really struck by the kindness of that — especially, since everything seemed so unhinged.

I don’t know if Adin sent out such an email to all their American customers or if it was simply a personal message from a kind person.  But, it doesn’t matter to me either way.  When I look at this ring, it reminds me of connections among strangers and how the world is so small, really, and how much small kindnesses can mean and how they endure.  It reminds to behave accordingly.

Antique Ring from Adin

Nice Metal Work by Francine Ruth

As I have mentioned, I am in the early stages of learning metal work and jewelry making.  One of the unintended effects of this education, is that I notice the quality of metal work on jewelry more than I previously did.  I turn my nose up a messy solder or uneven prongs around a stone — even though I am still working on doing these things properly myself.  I find I also try to guess what techniques were used in pieces that I am admiring.

I noticed Jewelry by Francine on Etsy today and felt compelled to mention her work for two reasons.  First, she is making beautiful pieces and using an impressive array of techniques.  The stone setting is well-done, the enameling is judiciously used, and the designs are well-composed.  Secondly, I had to give Francine Ruth a shout-out because she’s from Cleveland.  My husband is a born and raised Clevelander and I, myself, have done two tours of duty in that fair city.  Always nice to see lovely artisan pieces coming out of Cleveland.

I love the polka-dots on the bracelet and earrings.  I can imagine these being great jewelry staples — professional, casual, quirky yet understated.  I am not familiar with the technique, Keum Boo, which was used to make these pieces.  (I’m sure I’m showing my newbie status now.)  The effect is striking.  I like how the technique appears to allow the addition of another metal to a piece while being able to keep it flush.

These pieces can be found here:

Tiny Bubbles Earrings, Keum Boo Bracelet, and Tile Me a River Necklace

Nicely Done Found Object Jewelry by Jacobsen Design

I love the idea of found objects and I’ve used them a bit in my assemblage art.

Specimen I - By: N. Powell

Clock - By: N. Powell

It can be a slippery slope, though.  At least for me, when I am contemplating found objects, I start to have square-peg moments.  My mind continues to insist that this little something-or-other belongs in a piece of art — even after the object has told me to go to hell.

But, back to jewelry.

I think it is something special when found objects are used well and appropriately in jewelry.  I happened to notice this collection by Jacobsen Design on Etsy.  I think this stuff is very cool.  Here’s a sample:

Green Frequency Crystal Bracelet - By: Jacobsen Design

I think Jacobsen Design has made some attractive and, yet, funky jewelry out of found objects, which largely appear to be small electronic parts.  I think the pieces work so well because there is a nice eye for color and scale being applied here.  The objects that were found are right for some cool jewelry — no square pegs here.  My one concern, if I had one, is about the pieces’ durability as the jumprings don’t appear to be closed.  That being said, the pieces are priced low (most around $12) and there very well might be a very good reason that the jumprings cannot be soldered closed due to other materials used.

Birds: A Rant

Any of us who spend any time in the handmade/DIY world know exactly why this is funny.

This post is a little loving ribbing aimed at some of my favorite people in the world — jewelry designers.  It’s not easy to give people what they want, especially when they want the same things over and over again.  A recent search on Etsy using the search term “bird” brought up over 30,000 necklaces.  I have not independently verified that each of those items actually depict a bird.  But, go ahead, search around — they are everywhere.  It’s done.  It’s overdone.  Has anyone looked in on Tippi Hedren lately?  Is she OK?

Look, I love birds.  I even have a hummingbird tattooed on my wrist (which my husband says looks like a chicken).  The bird-themed jewelry?  Beautiful pieces all.

But. That. Is. Not. The. Point.

Sometimes, it is just time to challenge us — your customers — with new ideas, with what will become the next trend.  (No, I don’t mean those adorable matryoshka nesting dolls.)

Here, look at this stuff with animals other than birds:

You can find Mary Walke, Pete Conder, and Christine Domanic on Etsy.

 

The International Gem and Jewelry Show – San Mateo, CA

Today, R.JXP and I went to the International Gem and Jewelry Show which comes to the San Mateo Event Center a couple of times a year.  I only have experience at two types of gems shows — International Gem and Jewelry and one put on by the Gem and Mineral Society of San Francisco.

The experience at the shows put on by International Gem and Jewelry varies greatly from the more dignified Gem and Mineral Society. In my experience, International is a mix of shopping mall jewelry; loose gemstones (dyed and natural); total shysters who sell complete crap; miles and miles of beads; and a smattering of tools and supplies interesting to someone like me.

The crowd at International is largely composed of people trolling for good buys on expensive pieces.  For the most part, the jewelry that I see people purchasing isn’t even on my radar.  Nevertheless, having just started making jewelry and having had the experience of struggling, for example, to get a stone to stay in its setting, I’m in awe of work that goes into all jewelry — even jewelry which I don’t feel expresses much.

I attend shows such as these to find inexpensive stones to put into my amateur jewelry; supplies; and tools.  Today, I am happy to announce that I finally brought a flexshaft drill to add to my home studio — I am less happy to announce that it is not a Foredom, which I have been led to believe is the best.  Anyway, the drill was a good price and it will fit the bill for now.

Raw Love

Aside

Lapidary artists can do amazing things with gems — making them reflect light and look as if they glow from within.  But, there is something to be said for the use of raw, natural stones.

Here are some fine examples of artists finding beauty in the stone more or less as nature intended:

First, we have a nicely set very raw aquamarine ring by Beijo Flor, who, in addition to this piece, works with a variety of beautiful and unique stones.

Beijo Flor

Then, we have a copper ring with a herkimer diamond from Midwest Alchemy, which includes some incredible metal work that really complements the stone.

Midwest Alchemy

Finally, there’s the lovely raw golden labradorite prong set ring by Wire Adorned.

Wire Adorned

As someone who has always made things — paintings, assemblages, and now jewelry — I think restraint and dealing with ambiguity is more difficult than attempted perfection.  Using raw stones, which I’ve experimented with lately, is like that.  They’ve got their own ideas.  They tell you exactly how they will allow themselves to be used.  It would be nice if that gorgeous, shiny thing were even and not rough on that one side — but it isn’t — and that’s the beauty of it.  Incorporating raw stones into one’s jewelry is a different kind of craftsmanship.  It’s the craftsmanship of subtlety and allowing yourself to simply frame something that is just fine the way it is.